National Poetry Month The Joy of Seniorhood By Francis T Goodbeer

first_imgWith freedom, joy, love and friendsI have it all!I dance in the splendor of my seniorhoodWhere life has gotten gooder than good! The Joy of Seniorhood 00:00 /06:56 Who would have known I’d feel better at …Seventy! Than I did at twenty-one!The evolution of aging has expandedMy emotional horizon in every direction.In the “ordinary” I see the “extra-ordinary.”The grass has gotten greener.The sky has gotten bluer.The present has gotten brighter.My burden has gotten lighter.The money has gotten smallLittle does it matter!I have it all! Listen To embed this piece of audio in your site, please use this code: – / 6 X “Of course”… I’ve aged!The “up-shot” is … I’m. not. In. My. Grave!I no longer have a husbandI’m no longer a wife.I’m “now-in-charge”Not a slave to my life.I’m thrilled to say I’ll always be a mother.I wouldn’t have it any other way!My youthful looks have lost their charm.In their place a natural grace is formed.I’ve outgrown my immaturityAlong with my insecurity.I dance in the splendor of seniorhood. In this sound portrait, we meet poet Francis T. Goodbeer. She describes her earliest memory of poetry, how a poem can wake her up in the middle of the night and why she loves her writing class. She reads her poem, “The Joy of Seniorhood.”Francis T. Goodbeer is a retired nurse (RN, BSN) and a graduate of Prairie View A&M University. In recent years, she has been pursuing creative writing through Inprint’s Senior Memoir Workshop at Finnigan Park Community Center. Her hobbies include yoga, Pilates and weight training, and she loves to read supernatural fantasy novels, especially vampire romance. She is a native Houstonian and has a daughter. Goodbeer dreams of one day writing a poetry collection about the impact and complexities of incest, with the hope of reaching those who have experienced the pain and betrayal of incest and the people who love them. This poem first appeared in The Finnigan Anthology 2017 – 2018 and is reprinted with permission of the author.Music used: Valse Pour Maman (excerpt) by Alexandra Stréliski from Pianoscope, Annabel Lee (excerpt) by Edgar Allan Poe read by Basil Rathbone, Dies Irie (excerpt) by Kenji Bunch from Ahn Trio: Lullaby For My Favorite Insomniac, Romanze, op. 28, no. 2 (excerpt) by Robert Schumann from Timothy Hester: The Classical 91.7 Sessions and Hang on Little Tomato (excerpt) by Pink Martini from Hang on Little TomatoTo learn more about this series, go here. Sharelast_img read more